Classic Rock/Prog Magazine has, this week, re-published their great 2020 interview with Toyah. She talks Robert Fripp, Toyah & The Humans, Bill Rieflin, her music influences, career and more.
“I’ve heard Robert Fripp say no to everybody. David Bowie, Peter Gabriel, you name it, he always has an excuse not to play… He’s a wonderful husband but professionally it’s done me no favours”: Toyah Willcox is more than just Mrs King Crimson
From post-punk icon and award-winning female solo artist to becoming regarded as just the prog mastermind’s wife, her rebellious creative energy is fired by Roxy Music, Devo, The Tubes and all things off the wall
Toyah Willcox began her career as an actor in Quadrophenia and Quatermass, and as a post-punk in the 80s declared she wanted to be free. In the 21st century she teamed up with the late Bill Rieflin, Markus Reuter and her husband Robert Fripp, and was even In The Court Of The Crimson Queen. In 2020 – just as Toyyah And Robert’s Sunday Lunch presented the pair in a new, light-hearted light – we asked the question: how prog is she?
Most people think they know Toyah Willcox. She’s rooted in popular perception as the rebel queen of 80s new wave, responsible for mega-hits like It’s A Mystery, I Want To Be Free and Thunder In The Mountains. But there’s a whole other, less-celebrated side to her – the edgy adventurer, surveying the worlds of improv, art rock and experimental music.
“I’ve always needed to walk away from the predictable,” she tells Prog. “I love doing the 80s festivals and the touring shows, and my audience turns up in their thousands, which I’m so grateful for. But there’s also a part of me that is very off-the-wall. And I need to feed that.”
• Continue reading at Classic Rock/Prog Magazine.
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