Dreamscape – Toyah Willcox Fansite

A great review, by Velvet Thunder, of The Changeling reissue

TOYAH – THE CHANGELING:
DELUXE REISSUE (CHERRY RED)

“Far from being the musical Yin to Fripp’s Yang in those 1980s days, comparison of their respective works reveals as many creative similarities as there are differences.”

The excellent Cherry Red reissue campaign of Toyah’s classic early 1980s catalogue continues here with 1982’s The Changeling, the fourth Toyah studio album in just over three incredibly prolific years. Nowadays it is common for people, particularly those from a prog rock background, to simply regard Toyah as her contemporary incarnation as ‘Mrs Robert Fripp’, and the person responsible for dragging the famously irascible and studiously earnest King Crimson keystone out of his shell and into an ongoing series of light-hearted and often hugely entertaining YouTube video clips of them performing together in a variety of guises. All of which is fine as far as it goes, but there was far more to her wonderfully creative musical side than that – and this reissue series really ought to bring that to the fore in the public consciousness. Far from being the musical Yin to Fripp’s Yang in those 1980s days, comparison of their respective works reveals as many creative similarities as there are differences.

Following an intensely creative 1981, it would have been a very tempting – and indeed understandable – development for The Changeling to follow a relatively commercial and public-pleasing course. Just a year previously, the album Anthem – and particularly its two hugely successful singles It’s A Mystery and I Want To Be Free – had sent her into the world of mainstream TV and media in an easily marketable guise as a sort of ready-made ‘pop-punk with glam’ persona, with subsequent hits such as Thunder In The Mountains continuing that impression. As that whirlwind year came to an end, however, Toyah and her band (led by her chief songwriting partner and musical soulmate Joel Bogen) had other ideas. Indeed, not only did Toyah want to go back to the darker, more challenging template of previous works such as 1980’s The Blue Meaning, but she also planned to base the new album conceptually around how the events of 1981 had affected her on a personal level. The resulting album was certainly not the one which the record company executives wanted or expected her to produce, yet despite, or indeed because of that fact, it has remained one of her key creative statements.

• Continue reading at Velvet Thunder.

TOYAH – LIVE AT THE RAINBOW / LIVE AT DRURY LANE (CHERRY RED)

These two releases now available form a perfect set of stepping stones leading from the club-venue rawness of Toyah! Toyah! Toyah! to the theatrical, large scale Changeling shows which birthed Warrior Rock. They have been a long, long time coming, and they are most welcome to say the least.

Continuing the excellent Toyah reissue series comes the bonus of two albums, both originally recorded in 1981, to follow up the slightly earlier Toyah! Toyah! Toyah!, recorded the previous year. Interestingly, however, these two albums – which nicely bridge the gap between the raw Toyah! Toyah! Toyah! album and the later more populist Warrior Rock double – are less reissues than they are entirely new releases. Live At The Rainbow, of course, from a February 1981 show, was a popular video release back in the day, but oddly enough has never seen the light of day in audio form until now. Live At Drury Lane, on the other hand, is a show from the latter end of that same year, originally broadcast by the BBC on the annual Old Grey Whistle Test Christmas In Concert programme, and has only ever been available, for a relatively short time in incomplete form, on a BBC videotape called Good Morning Universe. The differences between the two releases really highlight how much was going on within a few months of this highly successful year, and is a large part of what makes these releases a fascinating back-to-back listen for fans.

• Continue reading at Velvet Thunder. Live At The Rainbow and Live At Drury Lane are available in both CD+DVD and colour 12″ vinyl from Cherry Red Records.

Toyah – Anthem
Deluxe Reissue (Cherry Red)

This is, of all the Toyah reissues this far, also recommended to the casual fan. It contains just as much challenging ‘meat’ as the previous albums, but with the familiar hooks which will help less seasoned travellers navigate the truly fascinating outposts. Unreservedly recommended.

With this 2CD/DVD set, the deluxe Toyah reissue campaign from Cherry Red reaches 1981 – with an amazing four releases having spanned the previous two years from 1979. Anthem, the third studio album, was both the mainstream breakthrough and simultaneously an album which almost didn’t get made. Following the previous year’s live album Toyah! Toyah! Toyah!, the band (which we must remind ourselves, was itself named ‘Toyah’, in much the same way as ‘Alice Cooper’ was originally the band name as well as the frontman) fell apart, leaving just Toyah herself and creative lynchpin guitarist Joel Bogen. A short-lived band was assembled but quickly fell apart again after not really working out, and it seemed as if Toyah, the band, might be done. Toyah herself almost became the full-time vocalist with the band Blood Donor, who had the original version of It’s A Mystery in their repertoire, but after a few demo recordings that didn’t come to fruition. Nick Tauber, recruited as producer again after his work on the live album, pulled together a new crew along with Bogen, comprising bassist Phil Spalding, keyboardist Adrian Lee and future Saxon drummer Nigel Glockler. The new line-up recorded and released the four-track EP Four From Toyah early in 1981, with It’s A Mystery as its lead track, and the record’s unexpected massive success ensured they would not look back from that point on.

• Continue reading at Velvet Thunder. See more reviews of Anthem and other releases here.

A great, comprehensive, review of the. just released, deluxe Toyah! Toyah! Toyah! by Velvet Thunder.

Toyah – Toyah! Toyah! Toyah!
CD/DVD Edition (Cherry Red)

These reissues are a long-overdue reassessment of Toyah’s early-’80s output, and reaffirm just how much depth and sheer great musicianship and songwriting there was to her catalogue

The deluxe Toyah reissue series reaches its third instalment here, with this 1980 live album getting the treatment. It is slightly confusing now, as a later compilation album was given the same title (coming, of course, from the 1970 film Tora! Tora! Tora!, about the bombing of Pearl Harbour), but this is the original. Coming after the first two albums, Sheep Farming In Barnet and The Blue Meaning, it finds Toyah just on the cusp of becoming a mainstream success, as the next release following this would be the Four From Toyah EP containing It’s A Mystery, and everything would suddenly go up a level in terms of profile. This release, then, manages rather neatly to cap the first phase of Toyah’s career, that of the underground ‘rebel’ new wave/art rock figurehead, before the words ‘pop star’ had even hovered on the horizon.

This was, however, more by happy circumstance than grand design, as the recording was arranged for inclusion in a TV documentary special for ATV, who had got wind of the stir that Toyah was beginning to make, and sensed a popular (and no doubt in their minds ‘trendy’) bit of youth programming. To that end, a special performance in Wolverhampton was tacked onto the end of the UK tour (the last she would do in club venues), recorded and filmed, and thus formed the material for this record. In fact, as revealed in the accompanying booklet, Toyah herself claims to have had no idea the gig was going to be filmed until she arrived to find a camera crew setting up on the stage.

• Continue reading at Velvet Thunder.

Toyah – The Blue Meaning
Expanded Edition (Cherry Red)

With the context of the passing of time, this is all brilliantly boundary-pushing music, and The Blue Meaning is an album which could astound the unprepared. Pure gold

The Cherry Red Toyah reissue programme continues with the second album, 1980’s The Blue Meaning, following on from the excellent reissue of the Sheep Farming In Barnet debut. As with its predecessor, The Blue Meaning is a very different proposition to the impression casual listeners tend to have of the pop-punk singer with the wild hair taking It’s A Mystery and I Want To Be Free to the upper reaches of the singles charts. In truth, that image was always a false one when the albums were listened to in their entirety, but even more in the case of these earliest records. In fact, the next studio album following this would be Anthem, the first big hit album which contained those two singles, but you would never guess that from the music contained here, which is dark, edgy and often brilliantly experimental. The Sheep Farming In Barnet album had contained a great mix of post-punk attitude with a sort of ‘difficult prog’ edge to it, but on this follow-up things got even more serious and uncompromising, both in terms of lyrical matter and musical content, and this three-disc reissue rounds it up with some tremendous extra material from the time to produce a definitive edition if ever there was one.

• Continue reading at Velvet Thunder.

Toyah – Sheep Farming In Barnet
Expanded Edition (Cherry Red)

Any time is a good time to have Toyah’s often-overlooked early ’80s albums revisited, but in this case there seems to be no more expedient occasion to have this album back in the public eye, in its most impressive form yet. Toyah has come to prominence very much on social media during the Covid pandemic and associated lockdowns, appearing in a series of light-hearted and very amusing videos with her husband, Robert Fripp. Now, many of those in the ‘prog rock’ fraternity – who may have passed over Toyah’s output with little more than a cursory glance at the hit singles – have been fond of expressing their surprise at the union of the ultra-serious King Crimson frontman, with his almost ‘Prog Godfather’ reputation, and the woman often looked back on as a kind of ‘post-punk pixie’ with wild hair and a handful of hits. This album comes out just at the right time to remind people that, in truth, the relative musical outputs of both parties at the dawn of the 1980s really weren’t as far apart as you may think. This isn’t punk, and it certainly isn’t pop-punk. If you want to give it a name at all, art-punk is closer, as what is found among the 41 tracks here is a brilliantly adventurous mix of the post-punk approach of bands like Magazine or Wire, combined with an art-rock influence in the music itself, which is astonishingly mature considering these were 20 year olds at the time.

• Continue reading at Velvet Thunder.