Dreamscape – Toyah Willcox Fansite

Toyah’s September 2020 blog is available to read at toyahwillcox.com.

A rare photo of Toyah at the Duke of Lancaster in August 1978. The line up at this times was; Toyah: Vocals⁣⁣, Joel Bogen: Guitar⁣⁣, Jonathan Miller: Bass⁣⁣, David Robin: Drums, Pete Bush: Keyboards. There’s been lots of other rare Sheep Farming in Barnet era photos and content recently at Toyah’s official social media spaces, including Instagram. (Photo © Watkins/Astley)

Song of the week, on Episode 11 of Toyah At Home, was Telepathic Lover, from the album, In The Court Of The Crimson Queen. With a special guest!

Click below to watch/rewatch the episode, which ended with an archive performance of Angel and Me, from the album The Changeling.

Song of the week, on Episode Ten of Toyah At Home, was Sensational, from the album, In The Court Of The Crimson Queen.

Click below to watch the episode, which ended with an archive performance of, the amazing, Broken Diamonds, from the album Love Is The Law.

Please submit your questions for this week’s Toyah At Home by adding a comment at Toyah’s official Twitter, Instagram or Facebook. There’s another classic song from Anthem featuring this weekend. Ask about music, albums, singles, plays, films, anything & tune in Saturday at 11am.

Rebel Run was song of the week on the seventh episode of Toyah At Home, which aired at Toyah’s official You Tube channel on Saturday.

Toyah performed a rousing live performance of the 1983 hit and discussed the album, Love Is The Law, from which it is taken. She also talked about how much she loved 1983: starring in Trafford Tanzi, recording Love Is The Law and a role in The Ebony Tower alongside Laurence Olivier.

Toyah’s famous Melissa Caplan outfits made a cameo appearance (along with lots of handbags).

Toyah talked about the cover art for The Changeling and Toyah! Toyah! Toyah!, and the artist who painted the cover for that album, Dexter Brown. Episode Seven also saw Toyah discuss: the learning curve of dealing with outside forces which affect creativity; the albums she is most proud of; favourite outfits; Divine/John Waters; Kate Bush; the songs Street Creature and The Packt.

• Click below to watch/re-watch : Toyah At Home: Episode #7, which closes with an archive live performance of, the timeless, Martian Cowboy…

Episode Seven of Toyah At Home airs this Saturday at You Tube and Facebook. Submit your questions at Instagram or any of Toyah’s other social media spaces.

A great live version of Brave New World opened this morning’s Toyah At Home.

Over the past year or so all of Toyah’s (and Toyah & The Humans’) releases: In The Court Of The Crimson Queen, Solo and Noise In Your Head have entered various charts – Top 100, Midweeks, Sales, Rock & Metal, Independent – compiled by The Official UK Charts Company, aka Official Charts. Click below to browse our “Toyah on the charts” news archive!

Echo Beach was song of the week on the fourth episode of Toyah At Home, which aired at Toyah’s official You Tube channel yesterday.

Toyah and the band performed the 1987 single and Toyah discussed the song and the album it is included on, Desire.

Toyah also talked about the acting roles she rejected and others she has screen-tested for; the film she wished she had starred in; who would play her in a drama of her life; all things Sunday All Over The World; visiting America in 1985; duetting with other singers; Slave To The Rhythm; and the song that is closest to her heart.

• Click below to watch/re-watch Toyah At Home: Episode #4, which closes with an archive live performance of, the awesome, Little Tears Of Love…

Toyah reveals the final vinyl by Toyah & The Humans, Live At Scala London. The album features Robert Fripp as guest human with Toyah, Bill Rieflin and Chris Wong. It’s out now on translucent purple vinyl (as are We Are The Humans (orange vinyl), Sugar Rush (olive vinyl) and Strange Tales (red vinyl). Click below to watch. (Screenshots from a video that is © Toyah Willcox)

Toyah gives a sneak peek at the first ever vinyl release of the Toyah & The Humans album Strange Tales. Pressed on translucent red vinyl, the album was released yesterday. Click below to watch. (Screenshots from a video that is © Toyah Willcox)

A digital deluxe version of Toyah & The Humans debut album, We Are The Humans, was also released today. See download/listen links here or click below for direct link to Amazon.

Toyah unwraps the first ever vinyl pressings of We Are The Humans (translucent orange vinyl) and Sugar Rush (translucent olive vinyl). Both of these are released tomorrow. Click below for links to all Toyah & The Humans new releases. (Screenshots from videos that are © Toyah Willcox)

Get ready for Noise In Your Head. Toyah & The Humans new retrospective five-disc box set – three studio albums, live concert CD, live concert DVD + 40-page booklet – is released this Friday. Pictured below is the regular box set (without signed print) which is still available to order here. Watch Toyah unbox the set by clicking here.

Info from Saturday’s second Toyah At Home, which aired at Toyah’s official You Tube channel.

• Good Morning Universe: was the song of the morning, with Toyah explaining how it got its title. Joel Bogen wrote the music and as soon as Toyah heard the joyous track she wanted to call it Good Morning Universe.

• Good Morning Universe: Toyah performed a live version of the title song from Toyah’s third EP, and ninth single, released in November 1981. I’ve always loved this song, and all the others on the Four More From Toyah EP.

• Shirley Manson: Toyah mentioned the Garbage lead singer’s recent comments about Toyah being one of her early influences.

• Early Influences: Toyah talked about her own early influences, Dusty Springfield and Sandie Shaw in the 1960s, as well as Curved Air, Grace Slick, Roxy Music, Alice Cooper, Lou Reed and David Bowie in the 70s.

• Movies: To Be Someone will hopefully be showing later this year, with press and publicity happening soon. Toyah also mentioned Give Them Wings.

• Take The Leap!: Jolyon Dixon, the guitarist from Friday Forever and Toyah’s Take The Leap! band asked Toyah if she would be interested in a Leap! anniversary tour.

• Steve Strange: Toyah talked about the Visage frontman back in the days of her Mayhem warehouse and the Blitz Club and the last time she met him, at the V&A Club To Catwalk exhibition in 2013.

• Favourite Venues/Tours: Toyah reminisced about playing (the legendary) Glasgow Apollo. Her favourite venue is Wembley Arena, and she loves playing in churches because of their great acoustics. Toyah loved all of The Humans tours, and also the recent Thunder In The Highlands tour.

• Computer: Will this ever be played live? There are plans for some of the Safari album songs to be played live during Toyah At Home to coincide with the Cherry Red release of Toyah’s Safari back catalogue.

• Ophelia’s Shadow: Some of the songs are too studio layered to perform live but Lords Of The Never Known and Brilliant Day will be (Toyah mentioned the late Keith Tippett).

• Prostitute: Toyah talked about the possibility of the album being performed live as an art project with visuals. She also talked about performing the album during the FrippFripp tour in 1988, and about the legacy of the album and its meanings now as the world changes and evolves.

• Toyah also chatted about which song took the longest to write (Slow Descent by The Humans was mentioned), and the show ended with live footage of She’s Fast by The Humans from Trading Boundaries in East Sussex.

Re-uploaded to this website’s You Tube channel recently, Sky Trax – The 1985 Toyah Special; a great Minx-era interview; and BBC Breakfast Time, a much shorter but still interesting Desire-era interview. These uploads have both been edited to remove all music from them, which was the reason they were originally made unavailable by You Tube.

Lots of other quirky clips and footage have also been added to our channel: Toyah, Superhits, Monster Munch 80s adverts, and more! Click below to visit and/or subscribe!

On June 6, 1980 Toyah released The Blue Meaning, an album that would top the UK Indie charts. Fronted by the multi-color haired Toyah Willcox, who played Monkey in 1979’s The Who album-inspired Quadrophenia and acted beside Kate Hepburn, the band had already scored a UK#1 Indie single with “Victims Of The Riddle”and expectations were big.

The album, now considered a cult classic by some, peaked at UK#40 on the mainstream album charts. The band would soon break up.

The articles I’ve read about Toyah Willcox from that time don’t reveal much, but in 2017, she was interviewed by BBC Radio for their Inheritance Tracks segment and we learned she had strict parents who, when she was very young, made sure she was in bed by 6:30 at night, not to be seen again until 7 AM the next day. Her mother picked out her clothes. She was dyslexic, number-blind and club-footed, and she determined to be seen and heard:

• Continue reading at 40 year Itch.

Rounding off The Blue Meaning‘s 40th with… this! Play loud and celebrate!!

Happy 40th Anniversary to one of the great landmarks of Toyah’s music career – The Blue Meaning. The second long-player (as they were once called) and first full studio album, was released exactly 40 years ago today, in June 1980.

An amazing album and Toyah era, The Blue Meaning is significant for a number of reasons: It was the first Toyah release to enter the Official UK Chart (though earlier singles and the first album had all scaled the peak of the Indie Chart).

It also boasted incredible imagery, artwork and high design standard which would become synonymous with Toyah’s music career and future releases. The album also includes Toyah’s most legendary song, the perennial fan-favourite, Ieya! No Toyah gig is complete without it.

Over the past four decades the album has increased in significance, becoming a crucial part of Toyah’s discography. Everyone loves Anthem (who couldn’t?), The Changeling is a favourite of many fans, Love Is The Law saw Toyah’s vocals soar, Minx still divides opinion, Prostitute mindboggled us all, Ophelia’s Shadow as beautiful, intricate and unique as any album by Kate Bush or Tori Amos, In The Court Of The Crimson Queen introduced Toyah to a new audience while also delighting longtime fans, and yet The Blue Meaning came before all of the aforementioned and 40 years later still intrigues and entertains with each and every listen. Click below for our feature.

Tomorrow – 06.06.2020 – is the 40th anniversary of the release of an iconic album from Toyah’s music career, The Blue Meaning. Incredibly ahead of its time, both musically and in its artwork/design/imagery. Check back tomorrow for our feature – which is an amalgamation of four of Dreamscape’s previous Blue Meaning articles reworked to create a comprehensive feature.