Dreamscape | The Toyah Willcox Fansite

Over the May Bank Holiday weekend, we launch the first edition of Paracinema, a festival dedicated to films and genres outside of the mainstream. Expect a steady diet of horror, sci-fi and fantasy but also we’ll be exploring other genres outside the mainstream with special guests, previews and talks on a whole range of unusual genres and subgenres.

Confirmed Guests and Previews

Special Guest – Toyah Willcox. We are delighted to be welcoming actress and pop star Toyah Willcox to Paracinema and Derby Film Festival on Saturday 5th May to talk about her career appearing in classics like Derek Jarman’s Jubilee, The Tempest and the mod classic Quadrophenia as well as juggling a hugely successful pop career.

• Continue reading at Derby Quad. Visit the Derby Film Festival 2018 website here.

Amazing photos of Toyah as Queen Elizabeth I in Jubilee at the Lyric Hammersmith. View a gallery of shots, including larger versions of the four below, at the Lyric’s Facebook page. (Photos © Tristram Kenton)

Mark Shenton: How do audiences and critics react when a show is designed to provoke them?

At the start of the second act of Jubilee, the stage version of Derek Jarman’s 1978 film that has transferred from Manchester’s Royal Exchange to the Lyric Hammersmith, one of the performers surveys the audience and notes that there have obviously been some early departures.

I was very nearly one of them. I decided that I would spare myself – and the show – the need to write a review (because it is of course a total no-no to do so after only seeing half a production). But, after leaving the theatre in the interval to get a little bit of sugar comfort, I went back.

After the show, I tweeted what a bad time I’d had, and my colleague Lyn Gardner replied: “Oh narrowly missed out on being in my top ten shows last year. I loved it.”

When I searched out her original review of that run, I found she cautioned: “Don’t think of leaving at the interval: the first half may drag a little, but the payoff is delivered in the show’s final 50 minutes, in which fierce energy gives way to aching loss as a generation with no future searches for a phoenix in the ashes.”

• Continue reading at The Stage.

Trailblazers: Sky Arts: Tuesday 6th March: 5pm
Trailblazers: Sky Arts: Wednesday 7th March: 12pm
Trailblazers: Sky Arts: Saturday 10th March: 1pm
New Romantics. Toyah Willcox and Billy Bragg are among those examining the New Romantic movement, from The Human League and Adam Ant, to David Bowie and Ultravox. (Series 1, Episode 16)

The late Derek Jarman had a reputation as an iconic but iconoclastic filmmaker but, even by his standards, Jubilee was eccentric and frequently any meanings were too deeply buried for common or garden viewers to mine. It is now probably best remembered for a cast that included punk idols Toyah Willcox and Adam Ant, along with a dedicated team from the acting profession amongst whom was the late Ian Charleson.

40 years on, Chris Goode has taken the original film script, which Jarman wrote with James Whaley, and updated it for a fresh generation. Give the new writer-director credit, what should have been an unintelligible, unruly mess is always over the top, frequently rather fun and conveys some timely messages to its audience today.

Many of those present will not even have been born in the days when punk threatened to change British society forever. Like Queen Elizabeth, whose pontifications along with those of her alchemist and necromancer John Dee and ethereal Ariel frame the modern scenes, it is merely a short historical note that may well have passed them by.

In a happy connection with the original, punk Queen Toyah Willcox embodies the Virgin Queen having played Mad on celluloid so long ago. She also provides one of the evening’s highlights with a brief but lively rendition of “I Want to Be Free”.

• Continue reading at British Theatre Guide. Review by Philip Fisher.

A fiercely powerful staging of Derek Jarman’s punk classic

People have been pontificating on what punk is – if it’s sold out, if it’s dead – pretty much since it showed up. So I’m not going to join them. Except to say that if anyone’s keeping the ripped Union Jack flag flying, it’s got to be queer people of colour who are risking everything to live outside the rules of a heteronormative, post-Brexit society. Chris Goode’s play, transferring to Lyric Hammersmith after opening at Royal Exchange Manchester, gets this. He reimagines Derek Jarman’s 1978 punk cult movie ‘Jubilee’ just enough to make it speak to today, but leaves its wild nihilist momentum intact.

It’s set in a squat (although this being 2018, it’s probably a warehouse share) where the cast bicker, wheel a pram on fire around, violently demolish the patriarchy, rewrite history, and watch YouTube videos. Travis Alabanza (playing Amyl Nitrate, the group’s historian) brings us up to speed on this show’s world, and pretty much anticipates every possible criticism of it: ‘Welcome to ‘Jubilee’. An iconic film most of you have never even heard of, adapted by an Oxbridge twat for a dying medium, spoiled by millennials, ruined by diversity, and constantly threatening to go all interactive. You poor fuckers.’

• Continue reading at Time Out. Review by Alice Saville.

How Jubilee Became the Greatest Punk Film of All Time

Today, Derek Jarman’s punk classic turns 40 – to celebrate, we track its journey from notoriety to immortality

“Punks were in the audience screaming ‘THIS AIN’T PUNK!’ and ‘WHAT A LOAD OF BOLLOCKS!’ and ‘SHIT!’” That’s how Jayne County recalled the raucous atmosphere at the premiere of Jubilee, Derek Jarman’s dark sci-fi reckoning with a dystopian England, in an interview from 2011.

County, a veteran of the New York punk scene who cameos in the film, was no more charitable in his own assessment of Jarman’s vision, released in cinemas 40 years ago this month. “Wasted celluloid”, she called it – though the scene she starred in wasn’t half bad, naturally.

• Continue reading at Another Man.

Jubilee, Lyric, Hammersmith, London, review: In the Lyric Hammersmith’s fine tradition of reanimating controversial classics

Chris Goode’s stage adaptation of Derek Jarman’s 1977 punk classic ‘Jubilee’, recasts Toyah Willcox who played Mad in the film, as Queen Elizabeth I, who time-travels to today

“It’s funny, isn’t it?” says Amyl Nitrate, towards the end of the end of Chris Goode’s raucous, shrewd and free-wheelingly rude re-imagining of Derek Jarman’s cult movie.  “In 1977, someone shouting “NO FUTURE” sounded like the most extreme nihilistic punk.  Forty years on, it’s a fact.  It’s mainstream climate science.”  To mark the ruby jubilee of Jubilee (1978), Goode’s stage version — a co-production between his company, the Lyric, Hammersmith and Manchester’s Royal Exchange — does more than pay tribute to the inherent theatricality in Jarman’s apocalyptic vision or recreate the paradoxical ethos of a broken Britain sodden with royalist propaganda during that flag-waving year.

• Continue reading at The Independent. Review by Paul Taylor.

Chris Goode’s adaptation of Derek Jarman and James Whaley’s Jubilee was a ravenously sex-fueled and unvarnished representation of the state that the world is in.

It assures to have one question if royalty or religion are still relevant in an ever-changing society.

Toyah Willcox goes from rebel to regal as she makes a comeback having played Mad in the original movie and now bringing delightful grace to the stage as Elizabeth I. Unsurprisingly she owns every second of her role as an onlooker from the past. Jubilee’s blatant dialogue and minimal use of symbolism makes for a refreshing take on what are usually controversial topics. It is explicit beginning to end and makes no apologies for it.

• Continue reading at GScene. Review by Tin Nguyen.

Check out Broadway World’s five star review of Jubilee at the Lyric Hammersmith – “Sexy, riotous, celebratory and a bloody good night out“.

Jubilee is an event that fucks with every theatrical convention, but it also provokes its audience in the most important way. Derek Jarman’s iconic film has been adapted for the stage by Chris Goode, centring around a marauding girl gang on a killing spree and a time-travelling Queen Elizabeth I – telling a story of what happens when creativity and nihilism collide.

The company hold nothing back – be it via nudity, crassness or direct address, they actively attempt to make you feel something. And I imagine you’ll feel a lot, even if it’s the sensation of being uncomfortable. Which is good; you should be.

After the interval you can tell who the non-progressive, potentially prejudicial people were in the audience. As Act Two begins many seats are now empty. People have left due to their own insecurities and biases around seeing naked flesh on stage, or as Travis Alabanza calls it, “one too many ballsacks”.

• Continue reading at Broadway World. Review by Alistair Wilkinson. (Photo © Tristram Kenton – Visit the Lyric Hammersmith’s Facebook page to see a great gallery of Tristram’s Jubilee production photos)

Toyah Willcox to visit the region ahead of starring in film about Darlington man’s life

Toyah Willcox is preparing to play the mother of a North-East football fan in a movie about his life.

The popular musician and actor will visit the region next month to attend a showcase event hosted by the team behind Give Them Wings, an upcoming feature film about Darlington man Paul Hodgson.

Ms Willcox is the latest cast member announced for the project, which tells the story of Mr Hodgson’s battle with childhood meningitis, which left him unable to move or speak. She will join a team including award-winning director Sean Cronin and Holby City actor Bill Fellows in bringing the PIMM Productions venture to the big screen.

• Continue reading at The Northern Echo.

This week’s best theatre shows: Our critics’ picks (February 20)

Jubilee – Lyric Hammersmith, London

Chris Goode directs and adapts a stage version of Derek Jarman and James Whaley’s 1978 film Jubilee, in a production first seen at Manchester’s Royal Exchange last November. The Stage called it “scrappy and self-aware”, but veteran punk star Toyah Willcox, who also appeared in the original film, makes it interesting to see again. It opens officially on February 20.

• Continue reading at The Stage.

• The Independent: Why The Sudden Rash Of Movies Onstage Now?: And it’s not just van Hove; theatre has been experiencing a boomlet of movie adaptations. Derek Jarman’s punk-inflected Jubilee (1978), adapted by Chris Goode, opens at the Lyric Theatre after earning rave reviews at the Royal Exchange in Manchester – Continue reading at The Independent…

• London Evening Standard: Things to do in London this weekend (and next week too): 3. Anarchy in the UK: Jubilee – Derek Jarman’s 1978 state-of-the-nation punk film has been adapted for the stage by Chris Goode – Continue reading at the London Evening Standard…

• London Evening Standard: London Arts: The best art, theatre, dance and concerts to see this week: Jubilee – Embrace the spirit of punk this week as the Lyric heads back to 1977 for a stage adaptation of Derek Jarman’s cult classic film. Expect a time-travelling Queen Elizabeth I, DIY fashion, sex, swearing, and a very loud soundtrack – Continue reading at the London Evening Standard…

• London Theatreland: Jubilee, Lyric Hammersmith: “An explosive, no-holds-barred punk musical that’ll set your world on fire!” – Capturing the punk wave at its dizzying height, English film director Derek Jarman captured the spirit of the rebellious era of the late 70s. Now his seminal work is once again sticking two fingers up… – Continue reading at London Theatreland…

Official Toyah’s gorgeous At The Rainbow anniversary image, along with info on the gig:

On This Day 22.2.1981 Toyah performed a headline gig at the Rainbow Theatre, London with Joel Bogen, Phil Spalding, Nigel Glockler, Adrian Lee. The gig was hot on the feels of the EP Four From Toyah charting in the Top 40 singles chart. Safari Records decided to film the concert and record the audio on the Rolling Stones mobile recording unit. It was then licenced it to BBC who televised a 30-min edit and released a 55-min version on the recently launched home video market on #VHS and #Laserdisc formats, the latter containing Nick Tauber’s stereo mix. The full concert had a rather long set list but since the band had only recently formed they performed arrangements of material from the albums Sheep Farming and The Blue Meaning. They did however perform all 4 of the songs from the EP Four From Toyah which at this point were the only recordings they’d made together. The full set list for this gig was as below and the repeated encore versions of War Boys and Mystery were used in final video edit. (Image © Official Toyah)

Toyah guested on BBC Radio 4’s Woman’s Hour yesterday. Listen to the, 45-minute, show at BBC iPlayer. (Photos © Toyah Willcox/BBC)

Toyah, Sandra Bernhard, Sister Helen Prejean

Toyah Willcox made her screen debut 40 years ago in Derek Jarman’s iconic punk film Jubilee. It’s now been adapted for the stage set in the social and political backdrop of today. She joins us to talk about disenfranchised youth, and her own life and work, both then and now.

Sister Helen Prejean is known around the world for her work to end the death penalty and has been instrumental in encouraging dialogue around the world and in shaping the Catholic Church’s newly vigorous opposition to all executions. She talks about her optimism that the death penalty will be abolished.

Sandra Bernhard began her career on the comedy circuit in the 1970s. She also starred alongside Robert De Niro in Martin Scorsese’s King Of Comedy and played one of the first openly lesbian characters on American network television in the hit sitcom Roseanne. The performer, comedian and singer is also a pioneer of the one woman show. She joins Jane to talk about her new show Sandemonium at Ronnie Scott’s London.

37 years ago this very evening Toyah played their, legendary, At The Rainbow concert at The Rainbow Theatre in Finsbury Park, London.

“The irrepressible Toyah Willcox is marching on, opening up new horizons in audio-visual entertainment… She is now number one in a field of one… An original.” London Trax

The Rainbow Theatre, originally known as the Astoria Theatre, is a former cinema which still stands today in Finsbury Park, London and is now a Grade II listed building. It closed as a music venue in December 1981 and lay derilict for many years but was restored in the 1990s and is now used as a church.

“Toyah – a great rock performer, an inimitable individualist of the music scene. The legendary Rainbow Theatre in North London is the setting for this spectacular show, among the laser beams, through clouds of swirly smoke, Toyah struts and strides – a truly spine tingling performance. “Toyah” – band and vocalist – frenzied, pulsating, mystical fabulous – an explosive experience.”

RAINBOW SET-LIST

A 30-minute edit of the gig was aired by the BBC in 1981 and a 55-minute version was released on BBC video and laser disc. Neither of these included the full set-list of songs played at the gig:

War Boys, Neon Womb, Waiting, Our Movie, Revelations, Danced, Race Through Space, Angels & Demons, Love Me, Mummies, Insects, It’s A Mystery, Computer, Indecision, Tribal Look, Ghosts, Victims Of The Riddle, Ieya. ENCORE: It’s A Mystery, War Boys , Bird In Flight, Danced

Toyah Willcox (Vocals), Joel Bogen (Guitar), Phil Spalding (Bass), Nigel Glockler (Drums), Adrian Lee (Keyboards). See the Discography page at toyahwillcox.com and read Dreamscape’s 2011 At The Rainbow mini-feature. Re-live the magical gig at You Tube.

Tales Of The Unexpected: Sky Arts: Monday 5th March: 2pm
Tales Of The Unexpected: Sky Arts: Tuesday 6th March: 4.30am/9am
Tales Of The Unexpected: Sky Arts: Saturday 10th March: 9am
Blue Marigold. Series 5, Episode 1. Dropped by her agency for her diva-like behaviour, supermodel Marigold’s mental health deteriorates. Years later, she plots a comeback. Director: Giles Foster. Starring: Toyah Willcox, Ralph Bates, Sharon Duce, Helen Fraser, Billy Hamon, Edward Jewesbury.

Toyah will be an interview guest on the “For One Night Only” anniversary edition of The Old Grey Whistle Test on Friday. Toyah appeared on the series performing Danced & Indecision, March 1980 and live in concert from Drury Lane Theatre Royal as the Whistle Test special on Christmas Eve 1981. This special is airing to mark 30 years since the legendary series was last broadcast.

The Old Grey Whistle Test Live: BBC Four: Friday 23rd February: 9pm
For One Night Only. Hosted by Bob Harris, this live studio show features music, special guests and rare archive footage to mark the 30 years since the legendary series was last broadcast. Featuring performances from Peter Frampton, Richard Thompson, Albert Lee and more. Bob also chats to Whistle Test alumni, including Dave Stewart, Joan Armatrading, Ian Anderson, Chris Difford and Kiki Dee, as well as fans Danny Baker and Al Murray.

The actress tells us the musical numbers she couldn’t live without

Toyah Willcox is best known for her career as a singer and has had eight top 40 singles from over 20 albums. Her biggest hits include “It’s a Mystery”, “Thunder in the Mountains” and “I Want to Be Free”.

Her stage credits include Calamity Jane, Amadeus and Three Men and a Horse. She is currently starring in the stage adaptation of Derek Jarman’s Jubilee – having featured in the original film – which runs at the Lyric Hammersmith until 10 March.

We caught up with Toyah and asked her: “If you were stranded on a desert island which five showtunes could you not live without?”

• Continue reading, and see Toyah’s Top 5 showtunes, at What’s On Stage.

Maigret: ITV Encore: Friday 2nd March: 12.05pm
Maigret and the Hotel Majestic. Crime series featuring Georges Simenon’s celebrated Parisian detective. Maigret is called to the scene when a beautiful woman is found dead in the basement of the Hotel Majestic with a gun in her handbag. The Chief Inspector’s investigations initially centre around the staff at the hotel – until he discovers that the woman’s husband booked a trip to Rome that he never made. Starring: Michael Gambon, Geoffrey Hutchings, Michael Shannon, Toyah Willcox (1993).

Toyah is interviewed in today’s print edition of the Metro.

The singer and actress loves walking from Regent’s Park to Kensington’s museums and wants to live by the BFI

Is there an area of London that you love?
The South Bank, because my first experience of London was the National Theatre in 1977. I was 18 when I joined the National, and Ian Charleson, who played Eric Liddell in Chariots Of Fire, introduced me to (film director) Derek Jarman who lived on Butler’s Wharf so lots of my formative years were spent in the area. In the late 1970s it was nothing like what it’s like now, it was derelict, there was no sign of any money going in. The National was ground-breaking for being built there at that time. Today, it’s still my favourite part of London. It’s vibrant, you have the arts on tap, it’s multicultural, it’s interesting and I love the architecture. If I could afford to I would live right next to the British Film Institute.

What are the most memorable London Stages you’ve performed on?
The Olivier (theatre) at the National Theatre is a sacred space to work in and I was one of the first people to perform on ‘the revolve’ (revolving stage) which was built in 1976, in the play Tales From The Vienna Woods. It was the first play to use the revolve, which was in its embryonic stages, and kept breaking down. When it broke it had to be operated manually by hand. The other stage is Wembley Arena, which I’ve done once. It was a dream come true. I love playing arenas and, as a performer, you have to have ticked off Wembley. It was big, it was loud, it was beautiful.

• Continue reading at Twitter. (Thanks to Talent 4 Media)