A rare interview with Jordan, punk’s enigmatic frontwoman
Working with Vivienne Westwood and Malcolm McClaren, performing with the Sex Pistols and acting for Derek Jarman – Jordan Mooney reflects on a life of iconoclasm
With her legacy being celebrated in new tome Fashion + Music (out now, by Laurence King Publishing), punk legend Jordan discusses some of her most significant moments with the book’s author, Katie Baron.
Still one of punk’s most-fetishised poster women, Jordan Mooney’s pivotal role at the nexus of Vivienne Westwood and Malcolm McLaren’s riotous (Sex and Seditionaries-era) world was vital to the looks of bands like the Sex Pistols and Adam and the Ants. She’s often immortalised in grainy black-and-white photography, as a severe vision of bleach-blonde-beehived, Cleopatra-eyed, latex-sheathed, fuck-you defiance, yet, there is far more to her influence than straightforward anarchic provocation. Rebellion was actually something of a by-product. Art (“I often described myself as a living work of art”), personal expression and a militant desire to champion the outlier were all at the real crux of her infectious perspective. As punk celebrates turning 40 this year, Jordan revisits her iconoclastic life.
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At 14 you changed your name – why?
Jordan Mooney: I truly felt like I’d been labelled the wrong thing, like a kind of name dysmorphia.
You were suspended from school for your haircut, and famously given your own spot in a first-class carriage on the train to avoid your outfits provoking outrage in fellow commuters – do you think dressing the way you did was an act of bravery?
Jordan Mooney: People often refer to the name and the things that I wore as demonstrating bravery and shaking things up, but while I showed off to the best of my ability it wasn’t about bravery because I didn’t care what people thought. I’ve always been extremely comfortable in my own skin. It’s like being in an art movement – someone has to start it.
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