An interesting article on punk in ‘The Independent’ yesterday. It includes a gallery of great photos, featuring rare shots of Adam Ant, Jordan, Billy idol, Little Nell, Siouxsie etc, plus Derek Jarman at the premiere of Jubilee.
Anarchy in the UK: The Queen’s Silver Jubilee in 1977 was also the year that punk hit
Photographer Simon Barker was there to capture it. Michael Bracewell opens his archive.
Punk lasted in the UK for little more than 14 months, between 1976 and the Jubilee Summer of 1977. Thirty-five years later, in another Jubilee year, how might we regard the intense, chaotic, moody, surreal, futuristic-yet-Victorian aesthetics of the movement? In answer to this question, photographs taken at the time by Simon Barker, also known as Six, go a long way to articulating the ways in which a phase of youth culture attained the impact of a manifesto – while never quite losing the cool allure and faintly slapstick temperament of its confrontational amateurism.
• Continue reading, at ‘The Independent’, here.
Quadrophenia is to show at the ‘San Francisco International Film Festival’ next month. The 55th prestigious festival runs from 19th April – 3rd May.
Tommy (1975) may be Pete Townshend’s most famous rock opera, but Quadrophenia (1979) is his most personal. In the hands of director Franc Roddam, the tale becomes a kitchen-sink drama of near-vérité realism and a timeless tale of teenage alienation and identity. “I don’t wanna be the same as everybody else. That’s why I’m a Mod,” says Jimmy (Phil Daniels), the parka-wearing, scooter-riding London teenager who spends his days at a dead-end ad agency job and his nights grooving to the likes of The Who.
Held each spring for 15 days, the ‘San Francisco International Film Festival’ is an extraordinary showcase of cinematic discovery and innovation in one of the country’s most beautiful cities.
Glitterbug, Derek Jarman’s final film, from 1994 includes brief Toyah footage from filming Jubilee in 1977. View a great article on it at Dangerous Minds.
…a prelude to Jubilee, a young flame-haired Toyah Willcox, The Sex Pistols, Jordan and a dress rehearsal for what will become The Last of England, as she pirouettes around a burning Union Jack, Adam Ant, hair-cutting, the Silver Jubilee.
Glitterbug Derek Jarman’s Super 8 films, with Andrew Logan, Duggie Fields, Tilda Swinton, Michael Clark, Adam Ant, Toyah Willcox, William Burroughs and Genesis P. Orridge. Music by Brian Eno, specially commissioned for this film.
Another recent, and interesting, article on Jubilee, the film that becomes more celebrated by the month. This one by ‘Network Awesome’.
After the release of Derek Jarman’s Jubilee in 1978, Vivienne Westwood, outraged at what she saw as a misrepresentation of punk, took to her then preferred medium, the t-shirt, to express her displeasure. The “Open T-Shirt to Derek Jarman,” with its wordy scrawl, is a rather confusing cultural artifact in that it now seems rather counterproductive. For starters, punk certainly had more important enemies in 1978 than a queer experimental filmmaker and visual artist, a fellow member of the counterculture whether she liked it or not…
It’s a Mad world: The trailer for Jubilee has just been uploaded to ‘You Tube’. View here and click below for larger screen caps. The movie, Toyah’s first, premiered in 1978 and just celebrated its 34th anniversary.
A 5DVD box set of Derek Jarman films is released, by Umbrella Entertainment (who just uploaded the trailer for Jubilee to ‘You Tube’), in Australia on 2nd May 2012. The set includes both films Toyah starred in, Jubilee and The Tempest.
The Derek Jarman Collection: DVD A collection of five astonishing films from a visionary British filmmaker: Actors: Tilda Swinton, Laurence Olivier, Sean Bean, Toyah Willcox, Adam Ant.
The Tempest (1979): The tale of a potent magician, banished by his brother and the King to live on a desolate isle with his daughter. Last Of England (1988): A dark meditation on London under Thatcher. Jubilee (1978): Queen Elizabeth I visits late twentieth century Britain to discover a confronting civilisation. Sebastiane (1976): In Rome, 300 A.D, a man is exiled to a remote outpost populated exclusively by men. War Requiem (1989): A stirring visual representation of Benjamin Brittens famed work.
Your never too old and it’s never too late to live your dreams. All you need is the Power of Three.
Next week The Power Of Three, the film Toyah has a lead role in, plays at two US film festivals.
The Women’s International Film & Arts Festival: March 28-April 1, taking place in Miami and The Brooklyn Girl Film Festival: March 29-31 in New York.
The film plays on the opening day of WIFF and is a “Red Carpet Event”, and on Saturday 31st March at BGFF. View further details and the film festival’s respective shedules here (WIFF) and here (BGFF).
30 Women Photographers and the Women Photographers Who Inspired Them: A Blog Series in Honor of Women’s History Month, March 1 – 31
Caroline Coon is a multi-talented artist born and based in Britain. She is a painter, designer and photographer whose work has been exhibited at major London galleries, including the Saatchi Gallery and the Tate. Her photographs are in the National Portrait Gallery, and currently on display at the Strand Gallery in She-Bop-a-Lula, an exhibit celebrating female singers captured by women photographers.
In the 1970’s and 80’s, Coon wrote about, designed for, and photographed a number of Punk Rock bands, including The Slits and The Clash. Her New Wave Punk Rock Explosion is an inside, “as it happened” story of punk, with iconic images, and commentary by musicians and fans. (Photo: Jenny Runacre and Toyah Willcox 1977 © Caroline Coon/Camera Press)
Jubilee inspires at least one new article a week. The latest is by ‘Ikono’.
Numerous punk icons appear in the film including Jordan (a Malcolm McLaren protégé), Toyah Willcox, Nell Campbell, Adam Ant (born, Stuart Leslie Goddard), Demoriane and Wayne County. It features performances by Wayne County and Adam and the Ants. There are also cameo appearances by The Slits and Siouxsie and the Banshees. The film was scored by Brian Eno.
