All these NY Ballrooms that start with “H”… The Highline Ballroom played host to The Humans ,a band fronted by 80’s U.K. icon Toyah, and this was, amazingly, her first ever U.S. performance, 30 years after her chart run in the UK and Europe began. The Humans enjoyed a raptureous response, several standing ovations and an encore, and I enjoyed a brief chat with Toyah before the show (I intercepted her on her way to the ladies room), and was thrilled to see that she is bursting with energy and fervor about what she does.
• Read the full mini article at ‘Punk Globe’ here. (Thanks to Jimi LaLumia)
More human than Human
Comprised of singer Toyah Willcox and bass players Bill Rieflin and Chris Wong, The Humans are a surprising group who combine waves of acid jazz, Massive Attack-like grooves and the occasional burst of ’80s pop and early ’90s industrial. It adds up to a mixed bag of tricks on their second album Sugar Rush, but still one worth a listen.
The album opens with “Titanium Girl” via a disjointed vocal “wah wah” effect before the ethereal voice of Willcox dances above it. Then it is slammed with a driving bassline and deep, guttural guitar pulses. After that, “Love in a Different Way” is a quiet, strummed track with a slightly ’80s feel thanks to the breathy vocals and synth. The same retro feeling is found in “Small Town Psychopath,” which mixes pure jazz club with a overdrawn beginning, as well as in “Sweet Agitation.” It seems with The Humans, the more subdued the song, the more it sounds like it would have been played in a late ’80s film.
• Read the full review at ‘mxdwm.com’ here.
