Variety: Film Review: ‘Aaaaaaaah!’
Steve Oram’s deeply British feature debut is the kind of mesmerizing cult oddity whose fan base will be limited but passionate.
It may be filmed in the Academy ratio, but Steve Oram’s low-budget feature debut “Aaaaaaaah!” could hardly be considered a nod to classic Hollywood. Rather, the 4:3 frame indicates something more primal, evoking the so-called “video nasties” (a wave of mostly cheap horror films banned on VHS in the U.K. in the 1980s, following a wave of moral panic over the perceived degeneration in values these films would cause when made available for home viewing). “Aaaaaaaah!” is set in exactly the kind of world Mary Whitehouse feared, and functions as a kind of loving Swiftian satire on the more brutish aspects of modern life. Though it’s at once too subtle and too extreme to attract a broad audience, those who get something out of gross-out humor, silent film and British comedy will treasure “Aaaaaaaah!” as a rare cult gem.
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