Dreamscape – Toyah Willcox Fansite

Nerdly: Frightfest 2020: ‘Heckle’ Review: Shot in neon-lit hues, reminiscent of Italian giallo (in particular the work of Dario Argento); with a killer in a clown mask and red rain mac that looks and feel like a total homage to 1976’s proto-slasher Alice, Sweet Alice; Heckle is a superb diatribe on perils of fame, personality and neurosis, and a warning to never, ever, meet your heroes! – Continue reading…

• Starburst: Heckle [FrightFest October 2020]: While Heckle won’t win any awards, it’s a fun distraction if you can overlook the shortcomings – Continue reading…

• Movie Ramblings: Arrow Video FrightFest October 2020: ‘Heckle’ Review: Heckle is something of a strange brew – in essence it is a straight-up slasher movie (heck, we even get a mask-wearing killer), but it also has plenty to say about the cult of celebrity, even mental health. But Heckle is certainly worth a watch and is likely to keep most genre fans reasonably happy – Continue reading…

• Eye For Film: Heckle Review: Screening as pat of Frightfest’s October 2020 selection, this is a spirited little film which, despite its dark subject matter, has obviously been made with love. Though not exactly polished, it has an innate exuberance that will encourage viewers to tick with it. That said, for all its roughness, this is an enjoyable little romp which will no doubt win itself some fans – Continue reading…

Indie Mac User: Review: Heckle ‘A Slow Burn Turns Slasher’ (FrightFest 2020): Written by Airell Anthony Hayles and directed by Martyn Pick, this slow-burn thriller turned slasher is well penned and conducted. The atmosphere is well captured in each of the scenes throughout the movie. Where it really shines is the dreary, dark, and dreadful outside of the desolate house and how many of the characters in the film meet their fate within it. The kills are very well orchestrated, and the aftermath of the kills are quite unique – Continue reading…

• The Kim Newman Website: FrightFest review – Heckle: For a horror film with a comedy theme and a comic attack, Heckle goes into some dark places – The cast is gossip-column friendly – with bits for Dani Dyer, Toyah Willcox (who does a song) and Nicholas Burman-Vince – Continue reading…

• Cine Vue: Steve Oram’s directorial debut, Aaaaaaaah! (2015), comes on like a collaboration between Dogme ’95 and Chris Morris. It’s hard to think of another film closely like it in British cinema. It really is that out-there and singular. You can bet your bottom dollar on Aaaaaaaah! becoming a cult oddity in years to come, but it’s equally fair to say that the general cinema-going audience would be left nonplussed. It’s an experimental work for the arthouse crowd, certainly, but it’s also one of the funniest and most poignant movies of the year – Continue reading…

• Nerdly: Aaaaaaaah! is a film that defies easy categorisation, not to mention pronunciation. It is set in a fictionalised London that looks and operates much like the one we know – except all of its inhabitants communicate purely through animalistic grunting, whooping and mewling. Everyone understands each other (more or less) within the film but the audience is left to figure out the subtext through the actors’ onscreen actions, most of which are violent or hyper-masculine in nature – Continue reading…

• The Velvet Onion: One of the things that distinguishes the artists that we write about at The Velvet Onion is their ability to think differently and to make waves in a sea of entertainment mediocrity. At their best, they conjure up ideas and dream of worlds so creatively vibrant that they force us, the audience, into a different headspace ourselves. In this respect, Steve Oram‘s AAAAAAAAH! (always written with eight ‘A’s) totally nails it – Continue reading…

• Flickering Myth: Aaaaaaaah! is a bizarre choice for a directorial debut, but I can guarantee, hand on heart, you have never seen a film like this in your life. And more likely, you never will either. Due to its incredibly bonkers nature, Aaaaaaaah! is destined to become a cult classic in the same vein as Pink Flamingos, but it won’t appease anyone. It will be very interesting to see the reaction to the movie coming off the back of its debut at FrightFest, that’s for damn sure – Continue reading…

• Movie Ramblings: Once part of the psychopathic duo in Sightseers (Ben Wheatley, 2012), Steve Oram makes his directorial debut with the barmy concept that is AAAAAAAAH! Presented as “Romero and Juliet meets Planet of the Apes”, the bizarre narrative sees 80s queen Toyah Willcox star along side Boosh boys Noel Fielding and Julian Barratt, with Green Wing’s Julian Rhind-Tutt – Continue reading…