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A rare interview with Jordan, punk’s enigmatic frontwoman

Working with Vivienne Westwood and Malcolm McClaren, performing with the Sex Pistols and acting for Derek Jarman – Jordan Mooney reflects on a life of iconoclasm

With her legacy being celebrated in new tome Fashion + Music (out now, by Laurence King Publishing), punk legend Jordan discusses some of her most significant moments with the book’s author, Katie Baron.

Still one of punk’s most-fetishised poster women, Jordan Mooney’s pivotal role at the nexus of Vivienne Westwood and Malcolm McLaren’s riotous (Sex and Seditionaries-era) world was vital to the looks of bands like the Sex Pistols and Adam and the Ants. She’s often immortalised in grainy black-and-white photography, as a severe vision of bleach-blonde-beehived, Cleopatra-eyed, latex-sheathed, fuck-you defiance, yet, there is far more to her influence than straightforward anarchic provocation. Rebellion was actually something of a by-product. Art (“I often described myself as a living work of art”), personal expression and a militant desire to champion the outlier were all at the real crux of her infectious perspective. As punk celebrates turning 40 this year, Jordan revisits her iconoclastic life.

At 14 you changed your name – why?

Jordan Mooney: I truly felt like I’d been labelled the wrong thing, like a kind of name dysmorphia.

You were suspended from school for your haircut, and famously given your own spot in a first-class carriage on the train to avoid your outfits provoking outrage in fellow commuters – do you think dressing the way you did was an act of bravery?

Jordan Mooney: People often refer to the name and the things that I wore as demonstrating bravery and shaking things up, but while I showed off to the best of my ability it wasn’t about bravery because I didn’t care what people thought. I’ve always been extremely comfortable in my own skin. It’s like being in an art movement – someone has to start it.

• Continue reading at Dazed.

Furious front women, terrifying girl gangs and a film that pissed off Dame Vivienne – these are the riotous movie classics you need to see

Punk was never a gender-bound movement. Propelled by a riotous sense of freedom and rebellion, it offered women the chance to break free from the constraints of conformity; and marked a major cultural moment for oppressed outsiders everywhere. Now, to celebrate its 40-year anniversary, one of punk’s principal spearheads Don Letts has announced an excellent programme of films centred on the movement. In anticipation of its premiere at the British Film Institute this summer, we round up some of the season’s biggest female-focused features.

JUBILEE (1978, DIR. DEREK JARMAN)

Derek Jarman’s twisted post-apocalyptic nightmare sees fashion, sex and satire clash in a dystopian London, the streets of which are ruled by an army of terrifying girl gangs. A bizarre narrative in which the Queen is transported 400 years into the future to view what the country will become lets Jarman channel fury and mayhem through his female protagonists. It’s a glorious and gorgeously shot piece of punk history, with a joyous list of cameos including Adam Ant, Toyah Willcox and Brian Eno (with his first film score). Its release garnered mixed reactions (Vivienne Westwood notoriously printed an open letter to Jarman on a t-shirt stating how much she despised the film), but the director remained unperturbed, relishing the tribal-like fierceness of his women at a time when chaos ruled.

• Continue reading at Dazed.