Chris Goode: Everything I know about theatre, I learned first from Derek Jarman
Almost everything I think I know about theatre, I learned from someplace else. Sometimes it’s just easier to spot the clues about theatre that are encoded in some other kind of event or relationship. You glancingly recognise something and immediately know you want to take it into your next rehearsal room.
Something about the obliqueness of the angle matches the radical hospitality of theatre. The understanding that the wholly new and unexpected is ready to rush in and surround us, if only we can remember that we come to theatre not to make things, but to make spaces for things to happen in.
Several years ago, I wrote a blog post ridiculously entitled “The young anarchosyndicalist’s guide to theatre space”…
• Continue reading at The Stage.
Derek Jarman’s punk classic Jubilee to be reignited on stage
Toyah Willcox plays the time-travelling Elizabeth I in the Royal Exchange’s version of the film that caused outrage after 1977’s silver jubilee
Derek Jarman’s anarchic punk film Jubilee is to be adapted for the stage with a cast including Toyah Willcox who made her screen debut in the original version 40 years ago. Willcox played the cackling pyromaniac Mad, a member of a girl gang whose fights, orgies and random acts of cruelty are witnessed by Queen Elizabeth I when she is magically transported to the 1970s. The new stage version, which will open at Manchester’s Royal Exchange theatre this November, casts Willcox in the role of the time-travelling queen.
“At the time it was made, it was utterly outrageous,” says Willcox of the film, which she describes as the tale of “women who are trying to kind of kill everything that controls them or that has exploited them. It’s a very resonant story today. Nothing’s changed except the technology.” The stage version will be firmly set in the modern day, with the script updated throughout the show’s run to acknowledge current events.
“If there’s something noteworthy in the news at 1pm, hopefully you’ll be hearing a reference to it in the show in the evening,” says Chris Goode, the show’s director. Goode, who first saw Jarman’s film as a teenager and has been influenced by the DIY punk ethos throughout his theatre career, added: “We didn’t want our version to be an exercise in nostalgia. Part of the impulse was thinking about where punk is at now.”
• Continue reading at The Guardian.
Toyah Willcox in Jubilee and the return of Julie Hesmondhalgh among highlights of Royal Exchange Theatre’s new season of shows
Manchester’s Royal Exchange Theatre reveals an exciting mix of plays for its Autumn/Winter season
80s pop icon Toyah Willcox will play Queen Elizabeth I as she makes her Royal Exchange Theatre debut in Jubilee, part of the striking new programme of shows for the Autumn/Winter season announced by the Manchester venue.
Toyah will star in the theatre adaptation of Derek Jarman’s punk cult classic movie Jubilee, a film she originally starred in as the character Mad in 1978.
She will now take on the role of Queen Elizabeth I, who is transported into a shattered modern Britain in the story adapted by Chris Goode who makes his exchange debut as new associate artist.
• Continue reading at the Manchester Evening News.
Chris Goode is to adapt Derek Jarman’s cult film Jubilee for the stage at the Royal Exchange in Manchester.
The production will take place as the film marks its 40th anniversary, and will star original film cast member Toyah Willcox. Goode, who joins the Royal Exchange as an associate artist, will adapt and direct Jubilee. It premieres from November 2 to 18, with press night on November 7.
Goode described the project as “brilliantly daunting and irresistible”, adding: “Derek Jarman has been a hero to me for 25 years and the opportunity to stage a brand new adaptation of one of his most iconic films with one of the country’s most iconic theatres is mind-blowing and heart racing in equal measure.”
“Under Sarah Frankcom’s visionary leadership the Royal Exchange continues to consolidate its position as a boldly risk-taking and boundary-exploding venue where we get to come together and talk about the biggest questions of our age in the most exciting ways we can imagine. At a time when dialogue and dissidence feel more precious than ever, I want Jubilee to be a celebration of the energy of our anger and our hope.”
• Continue reading at The Stage.
