Aaaaaaaah!: More Reviews: The Ooh Tray, I’m With Geek +
• The Ooh Tray: Monkey Business: Note: An ape translation of this review is available – Were it not for an ingenious comic conceit, Steve Oram’s highly original comic melodrama would be a familiar story. A man splits from his wife, meets a woman at a party, trapped in an unhappy relationship, and the two decided to make a run for it and get married, returning to the home and kicking out the ineffectual boyfriend. But in Aaaaaaaah!‘s universe, human language and instinct haven’t evolved beyond that of primates, and consequently you have an eccentric and often brutally honest comedy that lays bare the base instincts and absurd animal behaviour that fundamentally characterises human relationships – Continue reading…
• Screen Relish: #F4FF15 FrightFest: Aaaaaaaah! Review: Aah, the precarious position of the alpha male. Oh should I say AAAAAAAAH!? Because that is the delightfully appropriate title of Steve Oram’s feature directorial debut. An absurd horror comedy, the film offers no dialog at all – just grunts, as humans, devolved into ape mentality, go about their poop-throwing, territory marking, television smashing daily existence. It’s the kind of overly clever premise you expect to wear thin, but honestly, it doesn’t. Much credit goes to a game cast (including Oram) that sells every minute of the ridiculousness, and to Oram again as director. He keeps the pace quick, his images a flurry of insanity you need to see more than once to fully appreciate – Continue reading…
• I’m With Geek: Aaaaaaaah! – Review: Written and directed by Steve Oram (the genius writer behind Sightseers), Aaaaaaaah! is a movie not to be missed. If you like a little strange in your life then this film is absolutely for you. Premiering at Film4 Frightfest last night, some are steal wrapping their heads around the weird and wondering movie. The struggle here, is giving Aaaaaaaah! the review it deserves… – Continue reading…







• Cine Vue: Steve Oram’s directorial debut, Aaaaaaaah! (2015), comes on like a collaboration between Dogme ’95 and Chris Morris. It’s hard to think of another film closely like it in British cinema. It really is that out-there and singular. You can bet your bottom dollar on Aaaaaaaah! becoming a cult oddity in years to come, but it’s equally fair to say that the general cinema-going audience would be left nonplussed. It’s an experimental work for the arthouse crowd, certainly, but it’s also one of the funniest and most poignant movies of the year – 

As well as Aaaaaaaah!, 3 Sides Of The Coin, Kaleidoscope Man and Extremis – Toyah is also about to begin work on a fifth new film, Lies We Tell.






















