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Posts Tagged ‘Broadway World’

Conversations With… Mark Curry: Forthcoming New Toyah Interview

June 10th, 2020

New Guests Added To Conversations With… Mark Curry In Aid Of Acting For Others

Further guests are today announced for Mark Curry’s Conversations With… series in aid of Acting For Others. Each conversation, taking place via zoom, is an in-depth look into the guests lives and careers, as well as finding out their thoughts and tips on getting through lockdown, Mark speaks to a mix of interviewee’s including performers, presenters, and directors. Joining the previously announced guests are Vicki Michelle, Millicent Martin, Sally Hughes, Robin Herford, Toyah Willcox and Annabel Croft.

… Interviews will be released via Acting for Others’ YouTube weekly. They are free and available to all, with the opportunity for viewers to donate in support of the charity: justgiving.com/campaign/actingforothers

• Continue reading at Broadway World. NB: Airdate to be confirmed for In conversation with Toyah Willcox about being an ’80’s singing legend, her acting career and how she’s kept the success going through the years.

Broadway World: Jubilee Review, Lyric Hammersmith

February 22nd, 2018

jubilee18hCheck out Broadway World’s five star review of Jubilee at the Lyric Hammersmith – “Sexy, riotous, celebratory and a bloody good night out“.

Jubilee is an event that fucks with every theatrical convention, but it also provokes its audience in the most important way. Derek Jarman’s iconic film has been adapted for the stage by Chris Goode, centring around a marauding girl gang on a killing spree and a time-travelling Queen Elizabeth I – telling a story of what happens when creativity and nihilism collide.

The company hold nothing back – be it via nudity, crassness or direct address, they actively attempt to make you feel something. And I imagine you’ll feel a lot, even if it’s the sensation of being uncomfortable. Which is good; you should be.

After the interval you can tell who the non-progressive, potentially prejudicial people were in the audience. As Act Two begins many seats are now empty. People have left due to their own insecurities and biases around seeing naked flesh on stage, or as Travis Alabanza calls it, “one too many ballsacks”.

• Continue reading at Broadway World. Review by Alistair Wilkinson. (Photo © Tristram Kenton – Visit the Lyric Hammersmith’s Facebook page to see a great gallery of Tristram’s Jubilee production photos)

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