THE
SU POLLARD SHOW
Willows Variety Centre, Salford
In an era where too many top earning singers and
comics are content to throw together a collection
of songs or a string of gags and call it a
cabaret show, its an unusual pleasure to
find a performer who is prepared to pay for, and
rehearse, a full blown stage production. Su
Pollard is such a perfectionist. Having premiered
her new act at the Lakeside last month, she
presented it to a Northern cabaret crowd for the
first time at the Willows Variety Centre in
Salford. It was not Su Pollard but gawky Peggy
from Maplins who ran through the room to
tell us her turn hadnt arrived yet.This
is my big moment she cried, clambering on
stage and going in to Look For The Silver Lining.
A smart pair of boy dancers joined her for
Everythings Coming Up Roses, lifting her
off stage to change while they filled in. Su
Pollards re-entrance was in spectacular
style, her flowing yellow cloak at first
concealing the pantomime principal boys
outfit she was to wear for the next 70 minutes.
The pink and silver top looked like an enormous
Quality Street wrapper. Anything less outrageous
would have been out of place and quite
insufficient. What followed was a painstakingly
constructed act in the true and traditional sprit
of cabaret. An ambitious all round
entertainment designed to work anywhere from
Sunderland Empire to the QE2. The quickfire
comedy was punctuated with several original songs
and well time dance routines.Everything was just
right from the augmented orchestra of eight
musicians to the use of radio mikes and stools. Im
On My Way is a confident progress report on
Pollards career to date.
To the tune of Sams Song,she complains that
lyricists write their best stuff for men to sing.
She develops a Frankie Howerd-style relationship
with her lady pianist, introduces the two boys as
Salfords answer to Wham, and
works well when she makes a brief excursion into
the audiences and suddenly staunches the flow of
laughter with a totally straight
version of When I Fall In Love. Just like Ken
Dodd and Norman Wisdom before her, this fool
seeks acceptance as a serious singer and has
released an album to prove it. The act has been
written by Peter Langridge, the original songs
are by Richard Kates, the show is directed and
choreographed by Kenn Oldfield and the pianist
and musical director is Leslie Burdett.
Tony Barrow
The Stage
July 1987
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