OUT TO
LUNCH Famous for her
distinctive 80s hits like It's A Mystery,
Toyah is now more likely to be found letting her
"whip crack away" on the West End
stage.
Toyah, 45,
recently appeared in the second series of I'm
A Celebrity... Get Me Out Of Here. She is
also the voice that says "bye-bye" to
the Teletubbies. Currently appearing in
the West End production of Calamity Jane,
she live sin Chiswick and is married to
Nashville-based guitarist Robert Fripp.
So - how
come you and your husband don't live together?
Ours is
not a conventional marriage because he lives in
Nashville and I live over here. I would prefer it
if we lived in the same country, but neither of
us are willing to give up our independent lives -
it's a bit of a compromise, but after 16 years
I'm not sure I could ever give my freedom up. I
do miss him a lot when he's not here though - he
has a spirituality that has made our life richer.
Don't
you worry that you would be tempted to stray?
We talk
intimately on the phone five times a day. I don't
fear that Robert is unfaithful, because his
preferred world is an isolated one anyway. As for
me, I am never propositioned because men tend to
see me as a battleaxe. But I do hope we will live
together full-time when we are older, because I
so love waking up with him.
I hear
that you are something of a property investor...
My
financial philosophy is to buy property, but not
to rent it out. I will never be a landlord. I
either let my friends live in my houses or I let
a family live in them rent-free. Some of them are
used for work but I have no intention of selling
any of them. They are really my safety net so
that I never, ever have to experience hardship
again.
What -
have you been really hard up in the past?
Yes. My
parents struggled financially and when I was at
drama school I was so poor that all I could
afford to eat was a Mars bar and a cup of tea. It
was the generosity of my friends that kept me
fed. People like film-director Derek Jarman would
say, "Toyah, come round - we're going to
give you a meal," and all I could afford was
the 27p bus fare to his home. So I really do know
what poverty is like and I think it's the most
frightening, powerless position to be in. Anyone
that profits from other people's poverty - such
as landlords - deserve to rot in hell.
So now
that you're doing a lot better for yourself, what
is your greatest extravagance?
I
really like to commission jewellery and art. I
even hired a watercolour artist at Reddich House,
which was a home I had for 12 years - he was
resident artist there for 12 months to paint the
seasons. So I think that's quite extravagant, but
it is also an investment.
Who was
your first ever boss?
It was
Maximillian Schell, the German film actor. I was
at stage school in Birmingham, when I was called
to London for an audition in the National Theatre
where he was casting Tales From The Vienna
Woods. He was looking at me for a small, but
significant role. But I don't think he was ready
for what he saw when I walked in. I was 18 with
bright pink hair and when he saw me he was
horrified and he turned to Gillian Diamond, the
Casting Director, and said, "What have you
brought me?" Gillian assured him that I was
actually worth seeing and, after I was given a
chance to prove it, I was chosen for the role.
What was
he like to work with - I'll bet it was an
experience?
He was
a very old-fashioned gentleman - a really
gorgeous, beautiful, charismatic, sexually
attractive man. I ended up getting on with him
very well. I remember when we opened on the
Olivier Stage and there was a bomb scare. I was
in the middle of my main scene when a man stood
up in the audience and said, "I'm terribly
sorry but I have to tell you there's a parcel
under my seat." Now, as actors, we're told
to keep going, but Max suddenly walked on to the
stage, took my hand and said, "I have to
stop the performance here, I think it's safer
that we all leave the theatre now." While
the entire audience ran, I just stood there on
the stage, with Max holding my hand.
How do
you like to relax?
I spend
a lot of my leisure time window-shopping in
Chiswick High Street - it's a great way of
winding down. My work pattern tends to be daytime
at the television studio and nights in the
theatre, which means the only real break I get is
between midnight and four in the morning. If my
husband is with me, we find the early hours are a
wonderful time to go for a stroll in the area.
What
kind of advice would you give to someone who
wanted to get into acting?
In my
industry, who you know is very important - you
should never, ever undermine friendship and
loyalty. Make sure you remember everyone you work
with - you never know who you will meet again. I
remember working with Danny Boyle - the director
of Trainspotting - when he had a walk-on
part in a play called American Days,
starring myself and Phil Daniels. When I saw his
name as the director of Trainspotting I
couldn't believe he had come so far...
Toyah's
new album, Velvet Lined Shell, is out now.
Candis
magazine
October
2003
Thanks
to Alec Kelly
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