TOYAH
Music Machine, London Toyah/Boys/The Teenbeats
Arriving
late enough to miss The Teenbeats, my initial joy
went sour when I realised that the Boys were back
in town, but only just. I caught only 'First
Time', 'In The City' and 'Cast Of Thousands', all
of them were great. There were also plenty of
references to equipment problems, without which
no gig would be complete. Only marginally less
boring than DJ Gary Holton's demented
antics.
Toyah
ambled onstage and the evening took on a change
for the better, although this performance was far
from their best. Miss Willcox, as always, looked
remarkable, sporting her new bronze age Annie
Oakley look, with only Charlie attempting eye
catching moves in the background. His peculiar
trotting across the stage amused many an
onlooker.
These
individuals tampering with instruments, and
tonight the man called Bogen in particular,
develop more forceful characteristics as the gigs
go by. And it would seem the actual atmospheres
are becoming increasingly more tolerant. The
festive spirit speedily festered as fists flew in
a sickening outbreak, but after that (in the very
first song) the only "heavy scenes" I
saw were clashes between bouncers and strange
folk trying to break into the Muse after the gig
had finished!
As it was
so long since Toyah last graced our fiery
metropolis, it was purely for accuracy's sake
(you understand) that I forced my way past open
mouthed shock victims so selfishly blocking my
view, and on arriving in the "perfect"
spot I received the glare of a stage light
directed into my eyes, a trick which Toyah
greatly enjoys. Her stage manner is generally
that of a highly proficient dervish, much prone
to self simulation and only falters when she
trips over one of Joel's foot pedals, disrupting
her frosty stare into laughter...a welcome
relief.
The band
play a type of music exclusive to them and this
combined with the aformentioned warbling and
dancing makes squeezing into a Toyah gig one of
the more enjoyable aspects of nightlife.
Retiring,
somewhat crushed, to the bar for the last couple
of numbers, which happened amid silly rockets and
dry ice, I surveyed the crowd below and found
them in a curiously muted state! Was it the shock
of getting in free or was it her legs that so
stunned them into silence? I know not, I care
not.
Mick
Mercer.
NME
December
1979
This gig
was the last date on the 'Sheep Farming In
Barnet' Tour in 1979. It took place at the Music
Machine in Camden, London on 29th November. This
was the 'legendary' Safari Records Xmas Party
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