A state
of wedded bliss Love and
marriage - and Toyah!
A loss
of identity is not something you would normally
associate with the individualistic Toyah Willcox,
once dubbed "the princess of punk".
But, as Examiner feature writer Val Javin
discovered when she met the actress and singer at
Sheffield's Lyceum Theatre, it was a problem she
had to face after marrying rock musician Robert
Fripp. From Sheffield Toyah's next stop in a
production of Peter Shaffer's Amadeus is
Bradford's Alhambra in November.
Marriage
suits Toyah Willcox - until the bank manager asks
to speak to her husband!
It is the
only note of dischord in an otherwise harmonious
chat about the wedded state. And in particular
about Toyah's own state of wedded bliss. Married
to musician RobertFripp she may be, Toyah
Willcox, individual, she remains.
No one had
warned Toyah about the loss of identity which
banks, insurance companies and the like presume a
bride accepts along with her wedding ring.
"I
reacted very badly against it. I didn't like bank
managers saying I had to have a joint account or
saying 'Hello, can I speak to your husband?'
Spiritually
Based
"I
just didn't expect it," she says with a
grin. But that didn't mean she accepted it.
"We
have seperate accounts, seperate lawyers,
seperate accountants! Our marriage is a very
spiritually based thing which is nothing to do
with material things."
Toyah is in
Sheffield, hard at work on a production of Peter
Shaffer's Amadeus playing Constanze, wife of
Mozart. Robert is in New York.
It is not a
situation she would have chosen.
"We
don't enjoy being apart. It gets harder to be
apart because we have grown closer."
They
married five years ago and the partnership which
may have seemed unlikely to some - the
marmalade-haired actress and singer once dubbed
"the princess of punk" and the
professor of rock -goes from strength to
strength.
The couple
did after all, have royal approval!
"We
were introduced by Princess Michael of Kent at a
rock industry lunch in aid of Nordoff Robins
Music Therapy.
We didn't
meet again until the following year when Robert
asked me to work with him on a record for an
American children's charity.
He said
that as soon as he saw me he knew that I would be
his wife," she says, pure pleasures
splitting her delicate features from ear to ear.
What's more
he proposed within a week. Toyah attempted to be
a little more circumspect.
"I
said surely we should try this out and live
together. He just got a bottle of champagne out
of the fridge and said 'okay'." For
"okay" read "marriage".
Toyah today
is a brimmingly happy lady. Her relationship with
Robert clearly central to her life.
"He's
been a remarkable influence on my life. He's
helped me deal with a lot of adverse things in my
nature."
And her
influence on Mr Fripp?
"Intellectual
people live in their head a lot and I think I've
helped him come down to earth and live life a lot
more!"
She admits
that outside the world of music and work they
have very different interests. "I would
rather do an assault course as a form of
relaxation and he would rather read a book. He
can read all day but that would be enough to make
me slit my wrists."
Not that
she has time to worry about how to fill any days
they may be apart.
The Compass
Theatre production of Amadeus is a highly complex
one. The cast is totally involved and not just in
acting.
"We
are moving scenery as well. We are taking it in
turns when we are not on stage to move parts of
the scenery. It's not just a case of remembering
your lines but whether or not you are supposed to
be moving scenery!"
Her Best
Critic
The role of
Constanze, Mozart's wife and most loyal
supporter, has proved quite a challenge.
History's view of her appears to be that she is
all but invisible.
"In
Mozart's letters to his wife she is not even
named. There is only one book in existence about
her life and it's out of print. It can only be
got from a library in Surrey and when I went,
somebody had taken it out - for the first time in
20 years."
Her view of
Constanze is a clear one. "Mozart was
obviously totally dependant on her being there.
She's his best critic and supporter, the person
he can talk to. She can deal with the mundane,
she can manage him."
Just as
clear is her view of the other woman she is
preparing to play during the Compass tour, a
woman much less able to cope than Constanze.
Toyah will
be working in a series of prisons performing a
one-hour, one-woman show based on the short and
tragic life of rock star Janis Joplin.
The show is
packed with Joplin's songs and tries to put her
life and the pressures she faced into
perspective. As Toyah points out, Joplin faced
the "so-called sexual liberation of the
Sixties" plus a host of other temptations.
"It was like letting a child loose in a
candy store."
Almost too
much then to occupy her mind and her time. How
many more weeks before husband Robert is due back
from America?
"He
will be back in England in two weeks' time and I
will be happier then. We seem to be working from
11am to 11pm at the moment and if he were here I
wouldn't be able to give him the time he
deserves."
Both seem
acutely aware of time and the need to look ahead.
In the New Year they will be working together in
America on an album, plus a tour.
Robert
enjoys a massive reputation in America partly
because of his work with King Crimson as well as
with Brian Eno and David Bowie.
"Where
he's been brilliant is that in every interview,
he's given the person an album of mine and said
'You should review that'
Then after
a pause and a hoot of laughter: "I don't
think I'd have done the same for him."
Huddersfield
Daily Examiner
24th
September 1991
Thanks
to Jenny Parkin
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