{"id":28324,"date":"2018-02-27T17:20:40","date_gmt":"2018-02-27T17:20:40","guid":{"rendered":"http:\/\/www.toyah.net\/?p=28324"},"modified":"2018-02-27T17:44:14","modified_gmt":"2018-02-27T17:44:14","slug":"jubilee-lyric-hammersmith-further-reviews","status":"publish","type":"post","link":"https:\/\/toyah.net\/ds\/jubilee-lyric-hammersmith-further-reviews\/","title":{"rendered":"Jubilee @ Lyric Hammersmith: Further Reviews"},"content":{"rendered":"

\"jubilee17m\"\u2022 Culture Whisper<\/strong>: From the royal box, the time-travelling Queen Elizabeth I (Toyah Willcox, who played pyromaniac teenager Mad in the the original film 40 years ago) lords over proceedings like a dutiful monarch at the Royal Variety Show – and make no mistake, Jubilee is as perfectly random as the Royal Variety. It wilfully defies all theatrical convention, addressing the audience and breaking the wall to provide a sneering commentary on its own construction – Continue reading at Culture Whisper…<\/strong><\/a><\/p>\n

\u2022 Boyz Magazine<\/strong>: However it is the presence of Toyah Willcox, an original cast member of the 1977 film, who plays Elizabeth I, that really gives this show weight. Her command of the role is extraordinary and as the show draws to a close its fitting that one of her own songs closes the proceedings. Crazy stuff! – Continue reading at Boyz Magazine…<\/strong><\/a><\/p>\n

\u2022 Essential Surrey<\/strong>: This provocative and theatrical show reinvents Jarman\u2019s Jubilee for the present day, whilst clearly still clinging onto the punk subculture it was based on. Characterised by anti-establishment views and general anarchy, it is every bit as loud and aggressive as you would expect. The play opens in the same manner as the film with Queen Elizabeth I, starring original cast member Toyah Willcox, time travelling forward into a bleak and destitute contemporary Britain – Continue reading at Essential Surrey…<\/strong><\/a><\/p>\n

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\u2022 Stage Review<\/strong>: In the film Toyah Willcox played angry rebel, Mad. Now the 59-year-old punk princess has been elevated to Queen Elizabeth I and she spends most of the production in the theatre\u2019s royal box, watching the action on stage, occasionally breaking into monologues. The Queen is given a vision of the future, and its dystopian desolation initially fills her with pain, before she finds herself sympathising with the group\u2019s radical social commentary – Continue reading at Stage Review…<\/strong><\/a><\/p>\n

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\u2022 A Younger Theatre<\/strong>: Jubilee is superb in its metatheacricality, realising the elements of stagecraft present within Jarman\u2019s film. The script cleverly observes the forty years of cultural change since \u201977 and is playful in its interaction with members of the audience. It is absurd, with a peculiar, ravenous kind of beauty and it will leave you craving a cigarette lit by a blaze fiercer than hell on earth – Continue reading at A Younger Theatre…<\/strong><\/a><\/p>\n

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\u2022 The Upcoming<\/strong>: Chris Goode\u2019s stage adaptation of Derek Jarman and James Whaley\u2019s cult classic punk film, Jubilee (1978), can only be described as a wild ride. Semi-plotless, kinky and violent, Jubilee the play is a vintage punk romp amended to include a far more diverse cast, and to rail against today\u2019s troubling political climate, both at home and abroad. Indeed, it seems only natural to apply that old punk rage to 2018, and the violent dystopia that we\u2019re presented with is often all too believable – Continue reading at The Upcoming…<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u2022 Culture Whisper: From the royal box, the time-travelling Queen Elizabeth I (Toyah Willcox, who played pyromaniac teenager Mad in the the original film 40 years ago) lords over proceedings like a dutiful monarch at the Royal Variety Show – and make no mistake, Jubilee is as perfectly random as the Royal Variety. It wilfully […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,110,50],"tags":[1781],"_links":{"self":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts\/28324"}],"collection":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/comments?post=28324"}],"version-history":[{"count":6,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts\/28324\/revisions"}],"predecessor-version":[{"id":28333,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts\/28324\/revisions\/28333"}],"wp:attachment":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/media?parent=28324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/categories?post=28324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/tags?post=28324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}