{"id":20389,"date":"2014-09-30T18:54:03","date_gmt":"2014-09-30T17:54:03","guid":{"rendered":"http:\/\/www.toyah.net\/?p=20389"},"modified":"2014-10-04T18:00:17","modified_gmt":"2014-10-04T17:00:17","slug":"bam-bamcinematek-jarman-season-2014","status":"publish","type":"post","link":"https:\/\/toyah.net\/ds\/bam-bamcinematek-jarman-season-2014\/","title":{"rendered":"BAM: BAMcin\u00e9matek: Jarman Season 2014"},"content":{"rendered":"<p><em>Jubilee<\/em>, <em>The Tempest<\/em> and <em>Glitterbug<\/em> are all showing at BAM,\u00a0(Brooklyn Academy of Music), New York, as part of BAMcin\u00e9matek: Following a retrospective at the BFI this spring, BAMcin\u00e9matek presents the work of iconoclastic British filmmaker and crusading gay rights activist Derek Jarman, who not only redefined queer cinema, but reimagined moviemaking as a means for limitless personal expression. Marrying sound and image in radical new ways, his poetic, passionate, and visually ravishing films are visionary works of art that, 20 years after his death, are still being unraveled &#8211; Click below for further info.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.bam.org\/film\/2014\/derek-jarman\" target=\"_blank\" rel=\"http:\/\/www.bam.org\/film\/2014\/derek-jarman\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-20390\" alt=\"bamjar14a\" src=\"https:\/\/www.toyah.net\/ds\/wp-content\/uploads\/2014\/09\/bamjar14a.jpg\" width=\"600\" height=\"242\" srcset=\"https:\/\/toyah.net\/ds\/wp-content\/uploads\/2014\/09\/bamjar14a.jpg 600w, https:\/\/toyah.net\/ds\/wp-content\/uploads\/2014\/09\/bamjar14a-300x120.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jubilee, The Tempest and Glitterbug are all showing at BAM,\u00a0(Brooklyn Academy of Music), New York, as part of BAMcin\u00e9matek: Following a retrospective at the BFI this spring, BAMcin\u00e9matek presents the work of iconoclastic British filmmaker and crusading gay rights activist Derek Jarman, who not only redefined queer cinema, but reimagined moviemaking as a means for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[22,10,15,25],"tags":[1156,1150,171,248],"_links":{"self":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts\/20389"}],"collection":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/comments?post=20389"}],"version-history":[{"count":1,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts\/20389\/revisions"}],"predecessor-version":[{"id":20391,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/posts\/20389\/revisions\/20391"}],"wp:attachment":[{"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/media?parent=20389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/categories?post=20389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/toyah.net\/ds\/wp-json\/wp\/v2\/tags?post=20389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}